![]() Each time someone expresses discomfort or skepticism regarding Boss’ penchant for torture, he reminds them that he’ll fire them if they don’t cooperate. Why, you may ask, does everyone go along with Boss’ obviously awful idea? Because they’re all terrified of losing their jobs. On the other hand, it does present a savage depiction of American tyranny. No true criticism or satire ever arises, unless you count “Wow, this guy treats women badly” as a profound observation. (Six is an equal-opportunity offender.) Women are treated like sex toys obtained from a yard sale. Bush (zing), as a monstrous nutjob who enjoys blowjobs and waterboarding in equal measures.ĭespite the cartoonish elements in play, these symbolic elements lack much incisiveness when threaded around shots of people eating fried clitorises and medium-rare testicles. Six sews ostensible cultural commentary throughout his fecal-filled movie, with lines about how much money the country spends on inmates and executions he depicts his bluntly conceived warden, whose prison is named after George W. Setting aside the absurd mayhem of the plot, “Final Sequence” is more visually lavish that the previous two entries in the series, and expands its view, literally and figuratively, stretching the frame to widescreen while casting its demented gaze on the United States penal system. ![]() (Roberts’ motives for joining this project are mysterious, but he brings a welcome blip of competence to his brief scenes.) After castrating an inmate to no avail, Boss brings in no less than director Tom Six himself for permission to borrow Six’s idea and turn his inmates into a human centipede. His prison’s record is apparently very poor, as the governor of what we can only assume is Texas, played Eric Roberts (he plays the governor, not Texas), threatens to fire Boss if changes aren’t made. He fares far better than Dieter, whose sole method of acting here involves shouting, sustaining the “uh” part of the word “fuck” (which he howls incessantly), and flailing his arms about when those other methods fail him.ĭieter’s prison warden laments the lapse of medieval torture as a crime deterrent, calling lethal injection a wussy way to die. ![]() Harvey (the maniac of the second film) also returns, this time as a squirmy accountant. ‘The Boys in the Boat’ Review: George Clooney’s Inspirational Crew Drama Is Too Hokey to Stay Afloatĭieter Laser, the mad German scientist from the first film, returns as a sociopathic, violently nationalistic prison warden named Bill Boss. ![]()
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